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The roots of culture in Assam goes back almost five thousand years when the first wave of humans, the Austroasiatic people reached the Brahmaputra valley. They mixed with the later immigrant Tibeto-Burman and the Indo-Aryan peoples out prehistoric times. The last wave of migration was that of the Tai/Shan who later formed the idea of Assamese culture and its identity.
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The Deoris of Assam, one of the four divisions of the 'Chutiyas', observe this festival during the spring season. Derived from the Chutiya word 'Bisu' (Bi- extreme, Su- rejoicing), the festival is a continuous celebration of 7 days. It usually starts on a Wednesday, with Than Puja and there is buffalo sacrifice every fourth year.
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Zubeen Garg -Recent most famous Singer. Assam culture and tradition, assam cultural life,The people of Assam are a mixture of Mongolian, Indo-Burmese, Indo-Iranian and Aryan origin. This mixture of people constitutes the population of the state and they call themselves as ``Asomiya'' or ``Assamese'' and the language is also referred by the same.
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This Drawing is to learn How to Draw Magh Bihu Festival Celebration Dance Scene for Assamese New Year poster and greeting card. woman figure drawing tutorial.
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Painting of Assam. Painting of Assam, the art of manuscript painting in the Assam region developed through the movement of Vaishnavism. Vaishnava saints were primarily responsible for the establishment of manuscript painting tradition in Assam. A large number of manuscript paintings were done and copied during the 16th to 19th centuries.
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The woodwork is an ancient Assamese craft. Assam has always one of the most forest-covered states of the country, and the variety of wood and timber available here have formed a part of the people's culture and economy. An Assamese can identify the timber by touching it even in darkness, and can produce a series of items from it.
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Culture of Assam. Assam is the meeting ground of diverse cultures. The people of the enchanting state of Assam are an intermixture of various racial stocks such as Mongoloid, Indo-Burmese, Indo-Iranian and Aryan. The Assamese culture is a rich and exotic tapestry of all these races evolved through a long assimilative process.
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The Assamese use bamboo to welcome guests because of their attachment to the bamboo culture. Known as Jaapi, this is basically known as the sunshade of Assam. It is made of bamboo strips and dried palm leaves locally known as Tokow Pat. There are many types of Jaapi like the Halua Jaapi, Pitha Jaapi, Sorudoiya Jaapi, Bordoiya Jaapi, Cap etc.
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An Assamese can identify the timber by touching it even in darkness, and can produce a series of items from it. While decorative panels in the royal Ahom palaces of the past and the 600-years old satras or Vaishnative monasteries are intricately carved on wood, a special class of people who excelled in wood carving came to be known as Khanikar, a surname proudly passed down from generation to.
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Assamese Paintings. The traditional paintings of Assam serve as a source of inspiration to thousands of art lovers across the globe. Known for their unmatched quality and outstanding strokes of mastery, they have become an integral part of the rich Assamese culture and heritage. Tracing their origin to seventh century AD, Assamese paintings and.
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The rich Assam culture and heritage is also reflected in its natural beauty. The state has mesmerizing greenery along with rivers such as the Brahmaputra and Subansiri, which add to its beauty. The state is also known for its large areas composed of forests. Assam is known as the "Gateway to northeast India" due to its pivotal position in.
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The Department of Visual Arts Assam University (Central University) is one of the only department of North East India which along with the specialization programme in Applied Arts, Graphics, and Paintings have PhD programme in Visual Arts. Moreover, there are several art-societies and non-government initiatives across the state and the Guwahati.
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Decline of manuscript paintings of Assam. Manuscript paintings of Assam were a vibrant form of art since the 16th century. However, gradually this culture of painting started to decline. In 1769 a section of Vaishnava devotees affiliated to Moamaria order in upper Assam revolted against the Ahom monarchy.
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Chittaranjan Borah is an artist, folk art collector and writer on various subjects pertaining to local history and folk arts. He is the founder of an organisation called Kolong Kala Kendra in Puranigudam, Assam, that works towards preservation and promotion of different forms of traditional arts and crafts of Assam. The centre also has a museum that houses old artefacts, mostly from Assam.